![]() ![]() making sure that the accent was on-point, making sure I didn't modernize Wanda and play her like a current-date Los Angelian, and giving her the proper due from that period so people could have that nostalgia. With any piece that's not "Atlanta," honoring the people from there, the locals. With Wanda, my biggest thing was honoring the time period. I love every single character I play and I've had a great relationship with them all, but I would honestly say Roulette is a big piece of me. It's a lot of fire inside of me, but a whole lot of love and rare moments of vulnerability. Roulette is probably my alter ego when I was 18. I probably feel closest to Roulette, because there's so much of Roulette that I gave from myself. But as far as core values, what they share is that they're unapologetically who they are.ĭo you feel closest to any of the characters that you've played, or is there someone who's taught you the most about yourself through playing them? I am grateful to play well-fleshed-out, rounded characters. They're so different in so many ways, but every single character I've ever played has all been very rich and full. They're all true to who they are, unapologetically. Because even if it's just one episode, this character deserves the development and the background information from me to fully make it well-rounded and genuine whenever I'm on the screen.ĭo you see similarities between your characters or find that they hold the same core values? I give every project, no matter if it's one episode or seven episodes in a series, the same energy. I look up the casting directors to see what's the tone of the shows that they cast. I look up the creators behind it - the writers, the producers, who's going to direct it. Like I said, I did four months' training prior to, and then I did ongoing training while filming, but I don't have a split. You have some where maybe a flexibility thing. Then there's some moves that are safety issues or technical issues, where you need a stunt double. When it comes to trying to focus, when it comes to fixing lighting, or any of those things, don't tire out the actor who's actually willing to do the stunts by those. You need a stunt double just like you need a stand-in for purposes like that. Sometimes, you may not even be fully in focus, but they need you up there on the pole because you're in the background, or we feel you, or we may catch a glimpse of you. Well, even in any strip club, no dancer is on the stage the entire time. There were definitely moments where I was very grateful to sub in with a stunt double to pull off the full Roulette experience, because even in a regular strip club. You don't want to accidentally fall off and get hurt, or you don't want to overtire the actor from doing too many takes. I had three, actually, for safety reasons. ![]()
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